Glen wilson^a. cabezon de –

Complete tientos & variations

El ciego taedor" or "the blind keyboardist", Antonio de Cabezon was one of the most inspired masters of his day and a protege at the court of King Philip II (whose favorite painting, reproduced on the cover of the booklet, came into his possession while Cabezin was with him in Brussels in 1555). Keyboard music was attaining a status equal to vocal polyphony at this time, and Cabezin's sophisticated Tientos are at the forefront of a rapid rise in a new intensity of expression. Where the Tientos relate to vocal styles the Variations can frequently be traced to popular songs and dance tunes such as the Folia. Glen Wilson studied at the Juilliard School before moving to Holland in 1971 as a student of Gustav Leonhardt. He was active in Dutch musical life for twenty years before moving to Bavaria as professor at the Music University of Wurzburg. He has since conducted his edition of Monteverdi's Ritorno di Ulisse in patria for the Netherlands Opera over sixty times on three continents."

Country of Pressing	US
Artist	Glen Wilson^A. Cabezon De
Released	2012
Music Genre	Classical
Label	NAXOS
Condition	New
UPC	747313247578
SKU	al-747313247578

1.1 Tiento Del Primer Tono
1.2 Tiento Del Primer Tono
1.3 Tiento Del Sexto Tono
1.4 Tiento Del Quinto Tono
1.5 Tiento Del Primer Tono
1.6 Tiento Del Tercero Tono
1.7 Tiento Del Quinto Tono
1.8 Tiento Del Primer Tono
1.9 Tiento Del Primer Tono
1.10 Tiento Del Primer Tono
1.11 Tiento Del Primer Tono
1.12 Tiento Del Quarto Tono Sobre Maheur Me Bat
1.13 Tiento Del Quarto Tono
1.14 Tiento Del Sexto Tono
1.15 Tiento Del Segundo Tono
1.16 Tiento Del Quarto Tono
1.17 Tiento Del Primer Tono
1.18 Tiento Sobre, 'Qui la Dira'
1.19 Tiento Del Segundo Tono
1.20 Tiento Del Quarto Tono
1.21 Tiento Del Octavo Tono
1.22 Tiento Del Quinto Tono
2.1 Tiento Del Primer Tono
2.2 Tiento Del Sexto Tono
2.3 Tiento Sobre Cum Sancto Spiritu
2.4 Diferencias Sobre Las Vacas
2.5 Pavana Italiana
2.6 Diferencias Sobre la Gallarda Milanesa
2.7 Diferencias Sobre El Canto Llano Del Cavallero
2.8 Diferencias Sobre la Pavana Italiana
2.9 Diferencias Sobre El Canto de la Dama Le Demanda
2.10 Diferencias Sobre El Villancico, de Quien Te Me Enojo Isabel
2.11 Diferencias Sobre Las Vacas
2.12 Otras Diferencias de Vacas
2.13 Duviensela
2.14 Sobre El Canto Llano de la Alta
2.15 Para Quien Crie Yo los Cabellos
2.16 Rugier Glosado de Antonio
2.17 Pavana
2.18 Fuga a Quatro Todas Las Bozes Por Una, Sexto Tono
2.19 Fuga a Quatro Sobre Ad Dominem Cum Tribularer
2.20 Tiento Del Sexto Tono